Let yourself flow

Where video, music and sound come together

Freque combines video, music and sound for synchronized review. Connecting content, teams and imagination.

create, collaborate, disrupt, defy

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Lanes
Imagination. Without speed limits.
Editors, composers, music supervisors and post-audio pro’s all upload media to their lane and Freque plays back everything in sync so you can collaborate, iterate and make decisions with your whole team in one browser window.
Scenes & cues
Imagination. Synchronized.
Scenes and Cues are for music, sound or shot options. Create one on a lane, then drop in media and team members can hit play and try them in a scene. Preview all of your score, song options, b-roll alt’s (coming soon), sound design or voice over takes together and experience a life without endless quicktime movies.
Clarity
Imagination. Clarified.
Communication with everyone on your team is directly linked to the media you’re talking about so feedback on video, music and sound has never been easier to understand.

Introducing Previews

Imagination. Shared.

Imagine a world where you don’t need to review a seperate quicktime video for every picture, music or sound alternative. With Freque you can playback a scene with multiple music or shot alternatives. Quickly review an edit. Watch one film with all of your creative options, instead of managing review across dozens of exports and links.

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Milena Fessmann

freque is a wonderful and really helpful tool which makes my work much easier and helps to involve the team in the creative process.

Music Supervisor. Credits include “All Quiet on the Western Front” (Edward Berger), “Perfect Days” (Wim Wenders), “Club Zero” (Jessica Hausner) and “Paradise” (Boris Kunz) for Netflix.

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photo credit: ©Jeroen Willems

freque is for

video editors
Share your edit with b-roll, music or sound options.
composers
Music review built for soundtracks.
directors & producers
Review your picture, score, songs and sound on one platform.
sound designers
Sound review for designers, dialog editors, and post-audio teams.
music supervisors
Try songs to picture and easily share suggestions with your producer, director and editor.
music editors
Upload music selections for review with picture instead of generating quicktime previews for every option.

Features

An industry first: freque allows you to compare several options for the same cue. And with volume automation, submissions can be shown in their best light.

Everyone stays on the same page and in the know. No other platform keeps communication intact and seamless across versions and departments.

Each film department delivers their work to their lane. freque is the only place that gives producers and directors the ability to see it all at once.

Put your finger where it hurts. Contextual comments eliminate confusion and drastically reduce time for everyone involved.

freque makes it easy for everyone to experiment with different ideas. It does not require complex software to throw a piece of music up against a scene.

Review Mode

Complete History

Lanes

Playable Comments

Creative Exploration

Daniel Offermann

freque is a massive time saver and workflow enhancer. It’s so intuitive and simple to use.

A composer from Belgium, Daniel ist best known for his work on Belgium’s first Netflix series Coyotes, he also creates tailor-made sonic signatures for theatre and immersive expositions.

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photo credit: ©Jeroen Willems

Imagination runs on freque

directors & producers: save up to60%of your time reviewing

write your comments directly onto each option. It’s as easy as pointing your finger.

creatives: recover up to12 HOURSgathering feedback

when it’s time to revise your work, speed up your turn-around with playable comments.

Do more of what you love

Level up your game by spending your time on the quality of your work. When it comes time to share, use freque to help you present your work in the best light.